The Last Stand

Arnold Schwarzenegger stars in . Directed by KIM Jee-Woon and written by Andrew Knauer, The Last Stand also stars Forest Whitaker, Johnny Knoxville, Rodrigo Santoro, Jaimie Alexander, án, Eduardo Noriega, , Zach Gilford and Genesis Rodriguez. The film is produced by Lorenzo di Bonaventura.

 The Last Stand will be Arnold Schwarzenegger's first leading role since Terminator 3: Rise of the Machines in 2003.

The Last Stand will be Arnold Schwarzenegger’s first leading role since Terminator 3: Rise of the Machines in 2003.

Filming started on October 17, 2011 in Belen, New Mexico and Nevada. On December 17, 2011 shooting of the film was briefly interrupted, but on January 3, 2012 is continued. The processing is ended February 2, 2012 and the subsequent post-production continued in Los Angeles. The theatrical trailer premiered with The Expendables 2 and has been available online since August 2012.

After leaving his LAPD narcotics post following a bungled operation that left him wracked with remorse and regret, Sheriff Ray Owens (Schwarzenegger) moved out of Los Angeles and settled into a life fighting what little crime takes place in sleepy border town Sommerton Junction. But that peaceful existence is shattered when Gabriel Cortez (Eduardo Noriega), the most notorious, wanted drug kingpin in the , makes a deadly yet spectacular escape from an FBI prisoner convoy.

With the help of a fierce band of lawless mercenaries led by the icy Burrell (Peter Stormare), Cortez begins racing towards the US-Mexico border at 250 mph in a specially-outfitted Corvette ZR1 with a hostage in tow. Cortez’ path: straight through Summerton Junction, where the whole of the U.S. law enforcement, including Agent John Bannister (Forest Whitaker) will have their final opportunity to intercept him before the violent fugitive slips across the border forever.

MoreMovieDetails

All Posts
0 0 votes
Article Rating
Subscribe
Notify of
0 Comments
Inline Feedbacks
View all comments

Share this article: The Last Stand

Facebook
LinkedIn
WhatsApp
Pinterest
Email

MORE TOPICS

The Best Man Holiday

In 1999, when The Best Man topped the box office on its opening weekend, audiences fell hard for a group of college friends named Harper, Lance, Mia, Shelby, Murch, Robyn, Jordan, Quentin and Candy. Writer/director/producer Malcolm D. Lee returns to write and direct this sequel to his directorial debut The Best Man Holiday

How to Die in Oregon

How to Die in Oregon is Portland-based filmmaker Peter Richardson’s second feature documentary. He began production on the film in 2007 and is its director, producer, co-editor and cinematographer. Richardson also directed, produced, edited and co-photographed his debut feature “Clear Cut: the Story of Philomath, Oregon”, which premiered at the Sundace Film Festival in 2006.

British Actors in Hollywood: A Continuing Invasion

The British invasion of Hollywood is a testament to the unending prowess and appeal of British acting talent in global cinema. As the film industry becomes increasingly global, borders continue to blur, leading to a more diverse and representative cinema landscape. British actors have proven their versatility, expertise, and appeal over the years.

LOL

In a world increasingly connected by Facebook, Youtube, Twitter, and iTunes, Lola (Miley Cyrus) and her friends navigate the peer pressures of high school romance and friendship, while at the same time dodging their sometimes overbearing and technologically bewildered parents.

Typecasting in Hollywood: Career Booster or Actor’s Nightmare?

In the world of Hollywood, typecasting is a topic that generates a diversity of opinions. It is a phenomenon where an actor becomes so strongly identified with a specific role or type of character that they become virtually synonymous with them, making it challenging for audiences to separate the performer from the persona. While typecasting…

Paranoia

Paranoia began with Joseph Finder’s New York Times best-selling techno-thriller novel of the same name. The book hit upon what would soon become some of the biggest questions of our times: Has corporate power grown out of control? Where is the line between mining digital data and dangerous, invasive surveillance?