Ben Affleck’s third directorial venture, ‘Argo‘, presents a stunningly refreshing perspective on the Iranian hostage crisis in 1979 – a historical event that has been fiercely discordant for over four decades. The film made a significant impression on the audience worldwide and earned universal acclaim, bagging three Academy Awards, including Best Picture.
Following a brief introduction with an inspired comic book-style exposition of Iran‘s history, the movie goes into a tense, real-time rendition of the storming of the US embassy in Tehran by Iranian revolutionaries. The unfolding, chaotic events are shot in an almost documentary-like manner, with Affleck’s astute ability to illustrate suspense being prominently showcased.
‘Argo’ tells an incredible, real-life story of a covert operation, conceived in utmost desperation and aimed at rescuing six diplomats hiding in the Canadian ambassador’s residence. The plan: to pose as a Canadian film crew scouting locations for a Star Wars-inspired sci-fi flick. The film confidently and meticulously follows CIA agent, Tony Mendez, played by Affleck himself, who brought the life-risking mission to completion.
Affleck boldly strides around both the director’s chair and the role of the protagonist. His portrayal of Mendez is subtle and reserved – a perfect mirror of the undemonstrative professional the real-life character was described as. He manages to provide Mendez with a depth that makes him personable and human, a remarkable feat considering his character is precisely designed to blend into the background.
The supporting cast delivers fantastic performances as well. Alan Arkin and John Goodman are unquestionably brilliant, providing occasional comic relief from the otherwise nail-biting tension in their roles as a film producer and Hollywood makeup artist, respectively. Bryan Cranston gives a convincing performance as Jack O’Donnell, Mendez’s CIA supervisor, and admirably remains memorable in spite of Affleck’s dominance.
However, the true power of ‘Argo’ lies not in the acting, but in its masterful storytelling. Chris Terrio‘s screenplay astoundingly balances historical drama, suspenseful action, and drily observant humor. This narrative acrobatics gives life to the old Hollywood saying “Truth is stranger than fiction”, making the viewer increasingly amazed that these high-stakes events ran their course in real life.
Right from the first frame, Affleck establishes a constant sense of impending danger and fear. The tension escalates as the film progresses, reaching its peak during the climactic airport sequences. The realistic depiction of 1979 Iran adds an additional layer to the experience, making the audience feel as if they’ve been transported back in time.
The film’s art direction and cinematography compliment Affleck’s raw and grounded style of storytelling. The muted, drab tones of 70s America contrast sharply with the vibrant and chaotic hues of revolutionary Iran, visually manifesting the contrast in cultures and circumstances.
However, ‘Argo’ does simplify complex geopolitical waters for narrative ease, which may irk some audiences. This is, after all, a retelling of a complex piece of international history from a predominantly Western perspective. If viewed as a strictly historical piece, ‘Argo’ risks falling short. But as a cinematic equivalent of a novel based on a true story, it soars.
The film is a testament to Affleck’s magnificent evolution as a director. He has successfully created an action-packed, psychologically thrilling masterpiece from recent history. The intent is not just to entertain with a unique story but to comment on the power of storytelling itself.
Despite some minor historical inaccuracies, ‘Argo’ is an engrossing, well-crafted film that grips the audience with its suspenseful narrative and distinctive characters, taking them on an intense cinematic journey through an important chapter in global history. It’s a lingering reminder of how the language of cinema can transcend politics, uniting people across borders and crises alike.
To conclude, ‘Argo’ undeniably showcases an artistic amalgamation of thrilling storytelling, fluent direction, dynamic performances, and a peek into a dark phase in American history. It leaves audiences at the edge of their seats throughout its epic tale of rescue against near-impossible odds, cementing its place as one of the best films of 2012.
