The Sorcerer’s Apprentice

Adventure Movie

The Sorcerer's Apprentice made an opening gross of $3,873,997. It debuted at #3 at the box office behind Inception and Despicable Me with $17,619,622.

The Sorcerer's Apprentice is a 2010 fantasy produced by Jerry Bruckheimer, directed by Jon Turteltaub, and distributed by Walt Disney Pictures, the team behind the National Treasure franchise.

The Sorcerer's Apprentice made an opening gross of $3,873,997. It debuted at #3 at the box office behind Inception and Despicable Me with $17,619,622.

The Sorcerer's Apprentice made an opening gross of $3,873,997. It debuted at #3 at the box office behind Inception and Despicable Me with $17,619,622.

Parts of the story are loosely based on the Sorcerer's Apprentice segment in Disney's Fantasia (with one scene being an extensive reference to it), which in turn is based on the late 1890s symphonic poem by and the 1797 Johann Wolfgang von Goethe ballad.

Balthazar Blake (Nicolas Cage) is a sorcerer in modern-day Manhattan fighting against the forces of evil, in particular his arch-nemesis, Maxim Horvath (Alfred Molina), while searching for the person who will inherit Merlin's powers.

This turns out to be Dave Stutler (Jay Baruchel), a physics student at New York University, whom Balthazar takes as a reluctant protégé. The sorcerer gives his unwilling apprentice a crash course in the art and science of magic and sorcery, in order to stop Horvath and Morgana le Fay (Alice Krige) from destroying the world.

The film was originally set to be released on July 16, 2010, but was instead released two days earlier on July 14, 2010.

The basic idea for the movie was mostly Nicolas Cage's, who wanted to make a feature length movie based upon the Fantasia segment of the same name. On February 12, 2007, this film was announced by Disney.

In the early morning hours of May 4, 2009, a Ferrari F430 being driven during filming of a chase sequence, lost control and careened into the window of a Sbarro restaurant in Times Square, injuring two pedestrians, one of whom was struck by a falling lamppost. Filming resumed the following night, when yet another accident occurred. The two accidents were blamed on rain making the roads slick.

Share this article: The Sorcerer’s Apprentice

Facebook
LinkedIn
WhatsApp
Pinterest
Twitter
Email

MORE TOPICS

Laugh Masters: The Influence of Actors in Comedy

The influence of comedic actors on comedy and societal norms are interweaved, shaping the way we perceive and respond to humor. They challenge societal conventions, push boundaries, and even aid in coping with life’s complexities.

Abominable

DreamWorks Animation and Pearl Studio present Abominable, starring Chloe Bennet, Tenzing Norgay Trainor, Albert Tsai, Eddie Izzard, Sarah Paulson, Tsai Chin, Michelle Wong. Music for the film is by Rupert Gregson-Williams. The film is co-produced by Rebecca Huntley.

Bien qu'il fut le plus gros succès au cinéma de l'année 1978 (devançant Superman de Richard Donner), Grease ne gagna ni oscar ni Golden Globe en 1979

Grease

Grease is a 1978 musical film directed by Randal Kleiser and based on Warren Casey’s and Jim Jacobs’s musical, of the same name about two lovers in a 1959 high school. The film stars John Travolta, Olivia Newton-John, Stockard Channing, and Jeff Conaway.

Straw Dogs

Straw Dogs is a 2011 American thriller film directed, produced, and written by Rod Lurie. It is a remake of Sam Peckinpah’s 1971 film of the same name, in turn based on the Gordon Williams novel The Siege of Trencher’s Farm.

Vampires Suck was released on August 18, 2010 in the United States and Russia, August 26 in Australia and will be released on October 15 in the United Kingdom. 20th Century Fox did not provide advance screenings of the film for critics.

Vampires Suck

Vampires Suck is a 2010 American vampire spoof film directed by Jason Friedberg and Aaron Seltzer, starring Jenn Proske, Matt Lanter, Christopher N. Riggi, Ken Jeong, and Anneliese van der Pol.

The Revenant

Part thriller, part wilderness journey, The Revenant starring Leonardo DiCaprio and Tom Hardy explores primal drives not only for life itself but for dignity, justice, faith, family and home.