Locke

directed by , starring as Ivan Locke, is set almost entirely in a car. Ivan’s is the only face we see; the other characters are the voices at the other end of his sometimes angry, sometimes funny, often shattering telephone calls. The backdrop is a hypnotic vista of motorway lights, illuminating Ivan’s face as well as the he is battling and the choices he is making.

Finding the right director of photography for a film set almost entirely in a car was almost as essential as finding the right lead actor. Guy Heeley had worked with Haris Zambarloukos before on two previous films and knew he had recently done a series of car sequences for the CIA thriller Jack Ryan using the RED Epic camera.

Finding the right director of photography for a film set almost entirely in a car was almost as essential as finding the right lead actor. Guy Heeley had worked with before on two previous films and knew he had recently done a series of car sequences for the CIA thriller Jack Ryan using the RED Epic camera.

The concept was inspired by a series of camera tests Knight had done for Hummingbird in which he had shot the view from a moving car using an Alexa camera. “It was mesmerising,” recalls Knight of the footage. “Cities and roads at night are beautiful, I could look at them for hours. And so I started thinking about whether you could tell a story that all takes place within a vehicle.

Knight took his idea to Shoebox Films. Shoebox is comprised of a troika of renowned film-makers: leading film executive Paul Webster, first assistant director-turned-producer Guy Heeley and acclaimed director Joe Wright, whose credits include a startling, innovative take on Anna Karenina. Their interest was piqued by Knight’s simple pitch.

Knight never had anyone else in mind for the role of Ivan Locke than Tom Hardy and his finely calibrated performance has rewarded that belief. “Tom is one of those people who, as soon as they are on screen, all eyes are on him,” Knight says.

Knight’s intention to shoot the entire film each night was attractive to Hardy. “This method is very actor-friendly, they it,” Knight says. “As an actor, you want a length of time to get into your character. Normally when you’re filming it’s a line here, a line there, it’s difficult. This way really gives everyone a chance to get into it.

Olivia Colman, who plays Bethan, is one of the UK’s most in-demand actors. She compares the audience’s perspective to being a passenger in Ivan’s car.

Just five weeks after Knight delivered the first draft, Locke started four days of rehearsals before beginning eight nights of principal photography on February 18, 2013. With only eight days to shoot the film, and just six of those with Hardy, the production team went through a rigorous ‘what if’ process. “It couldn’t go wrong. We had to cover every single base,” says Heeley. “Given that on paper it was one of the simplest films I’ve ever been involved with, it was one of the longest production meetings I’ve ever been in.

MoreMovieDetails

All Posts

Share this article: Locke

Facebook
LinkedIn
WhatsApp
Pinterest
Email

MORE TOPICS

The Mighty Macs

If you examine the history of inspirational sports movies, you will conclude that the most successful films in this genre typically use sport as a metaphor. Miracle wasn’t just about hockey, it was about the Cold War and the impending fall of Communism. Remember the Titans wasn’t just about football, it was about race relations.

The Devil´s Double

Based on a gripping, unbelievable true story of money, power and opulent decadence, Lionsgate’s THE DEVIL’S DOUBLE takes a white-knuckle ride deep into the lawless playground of excess and violence known as Bagdad, 1987.

Free State of Jones

Free State of Jones tells story of Newt Knight, a fearless Mississippi farmer, who led a band of poor white farmers and runaway slaves in an armed rebellion against the Confederacy during the height of the Civil War.

Filly Brown

Filly Brown a film directed by Youssef Delara and Michael D. Olmos and written by Youssef Delara, is an inspiring and gritty portrait of a young artist striving to find her voice and seize her dreams without compromise. Majo Tonorio, aka, “Filly Brown” is a young raw hip-hop artist from Los Angeles who spits rhymes from the heart.

Moneyball

Moneyball is a biographical comedy-drama film directed by Bennett Miller, starring Brad Pitt, Philip Seymour Hoffman, Robin Wright, Jonah Hill, Chris Pratt and Casey Bond. It is based on the true story of Billy Beane, general manager of the Oakland Athletics, and his attempt to create a competitive team despite Oakland’s unfavorable financial situation.

The Two Faces of January

The Two Faces of January is a suspense thriller starring Academy Award nominee Viggo Mortensen, Golden Globe nominee and Cannes Best Actress winner Kirsten Dunst and Oscar Isaac. It is based on the novel of the same name by Patricia Highsmith and adapted by Academy Award nominee Hossein Amini. The film is Amini’s directorial debut.