The Lazarus Effect

The Lazarus Effect follows a group of researchers led by Frank (Mark Duplass) and his fiancée Zoe (Olivia Wilde), who’ve achieved the unimaginable– bringing the dead back to . After a successful, yet unsanctioned, trial on a newly deceased animal, the team is to unveil their breakthrough to the world. When the dean of their university learns of their underground experiments, their project is unexpectedly shut down and their materials confiscated.

It was producer Matt Kaplan who brought in screenwriter Jeremy Slater and also a most unexpected choice for director: David Gelb

It was producer Matt Kaplan who brought in screenwriter Jeremy Slater and also a most unexpected choice for director:

The Lazarus Effect is definitely a horror film but there are also elements of a medical and Sci-Fi,” says director David Gelb, who turns from his award-winning documentary Jiro Dreams of Sushi to the realm of mounting fear in this new film. Working with an accomplished cast headed by Mark Duplass and Olivia Wilde, Gelb went all in, diving into all the obsessive and often petrifying questions evoked by the prospect of manipulating the most unknowable human reality of all: death.

For producer Jason Blum, whose Blumhouse Production specializes in original horror along with award-winning dramas, the one rule to the modern horror film is that there should be no rules. In the case of The Lazarus Effect, the story meshed with a longtime interest Blum has had in rejiggering perhaps the most classic horror film concept of all: the Frankenstein tale of a person who regains precious life, but at the horrific cost of not being quite human anymore. “I really thought The Lazarus Effect was Frankenstein retold,” says Blum.

Those questions also intrigued executive producer Matt Kaplan, who first began developing the film at Lionsgate from a screenplay draft by Luke Dawson (Shutter), before founding Chapter One Films. “We fell in love with this story because it felt so different for contemporary horror,” says Kaplan.

Also coming aboard was veteran horror and drama producer Cody Zwieg. Says Zwieg: “The best are never just about scares and blood – they also bring in deeper, more primal questions about the roots of human fear. The Lazarus Effect starts with a concept that is completely relatable.

To portray the film’s “dream team” of offbeat scientific pioneers, Gelb sought actors equally as full of energy and smarts, and found it in a quintet comprised of Mark Duplass, the comic actor, writer and co-creator (with his brother) of HBO’s lauded “Togetherness,”; Olivia Wilde, the rapidly rising star; Donald Glover, who does a 180 from his role on the hit comedy series “Community”; Evan Peters, known for his roles in Kick-Ass, X-Men: Days of Future Past and Irish actress Sarah Bolger.

Working with several real-life doctors, Duplass immersed himself in research and medical jargon.“Frank is dealing with a lot of medical procedures, from CPR and adrenaline shots to using the defibrillation paddles, so it was important for it all to look as real as possible,” he points out.

For Wilde, The Lazarus Effect was also an opportunity to further explore the frontiers of brain research, an area she’s been intrigued with all her life. “I’m kind of a neuro nerd,” she admits. “I’m really into all things neurological, I love reading Oliver Sacks’ books,

The Lazarus Effect takes place entirely within the confines of the Lazarus Project Lab – though it traverses beyond the mortal world from there. For the filmmakers it was exciting to work entirely on a soundstage with just a few main, carefully designed sets. Says producer Matt Kaplan: “One of the strengths of being contained inside this one location is that it allowed us the ability to travel into Zoe’s mind and into her nightmares. It was a fun way to play with the story. In a way, the laboratory worked for us like a haunted house – you’re in this single space that keeps you trapped but is full of surprises.

To forge the look, David Gelb worked closely with a team that includes director of photography Michael Fimognari (Oculus), production designer Melanie Paizis-Jones (The Purge), editor Michael N. Knue (television’s “Sleepy Hollow”), special effects coordinator Zak Night (Whiplash), visual effects artist Joel LeLievre (Tron: Legacy) and special effects makeup artist Michael Ezell (Insidious: Chapter 2) to create a realistic lab that unravels into a place where reality is in question.

MoreMovieDetails

All Posts
0 0 votes
Article Rating
Subscribe
Notify of
0 Comments
Inline Feedbacks
View all comments

Share this article: The Lazarus Effect

Facebook
LinkedIn
WhatsApp
Pinterest
Email

MORE TOPICS

Mr. Holmes

MR HOLMES is a new twist on the world’s most famous detective. 1947, an aging Sherlock Holmes returns from a journey to Japan, where, in search of a rare plant with powerful restorative qualities, he has witnessed the devastation of nuclear warfare.

Conjuring Beauty in Murkiness: A Review of The Shape of Water (2017)

All in all, The Shape of Water is an enchanting cinematic experience that offers a treasures trove of emotions and themes all intertwined in a grand magical narrative. Under Guillermo del Toro’s meticulous direction, it possesses the power to transform its murkiness into captivating beauty.

The Devil Inside

The Devil Inside is an horror thriller centered on a woman who has been led to believe her mother brutally murdered three people because she was clinically insane. After being told the murders occurred during an exorcism, she sets out to discover the truth

A Contemporary Ode to Underdogs: A Review of “Moneyball” (2011)

Yet, “Moneyball” is not just a sports film. It’s a study in underdogs fighting against a system that’s rigged against them. It’s about using intellect and innovation to overcome financial disadvantages. It’s a tribute to those who trust the numbers over subjective judgments and have the courage to implement change.

Miss Bala

Miss Bala is a 2011 Mexican drama film written and directed by Gerardo Naranjo. The film premiered in the Un Certain Regard section at the 2011 Cannes Film Festival.

Star Trek Into Darkness

Star Trek Into Darkness is an science fiction action film directed by J. J. Abrams, written by Roberto Orci, Alex Kurtzman, and Damon Lindelof, and produced by Abrams, Bryan Burk, Lindelof, Kurtzman, and Orci. It is the twelfth Star Trek film and serves as the sequel to 2009’s Star Trek.