The worldwide phenomenon of The Hunger Games continues to set the world on fire with The Hunger Games: Mockingjay – Part 1, which finds Katniss Everdeen (Jennifer Lawrence) in District 13 after she literally shatters the games forever. Under the leadership of President Coin (Julianne Moore) and the advice of her trusted friends, Katniss spreads her wings as she fights to save Peeta (Josh Hutcherson) and a nation moved by her courage.
The Hunger Games: Mockingjay – Part 1 is directed by Francis Lawrence from a screenplay by Peter Craig and Danny Strong, from an adaptation by Suzanne Collins and produced by Nina Jacobson’s Color Force in tandem with producer Jon Kilik. The novel on which the film is based is the third in a trilogy written by Suzanne Collins that has over 65 million copies in print in the U.S. alone.
The Hunger Games: Mockingjay – Part 1 dives further into the fabric of Panem and into the story’s most powerful emotions as Katniss and the nation enter a harrowing but transformative time. “The stakes have always been high in The Hunger Games but now the entire world opens up. The Games themselves are gone, but threat of oppression now permeates all of Panem. This chapter gave us a chance to reveal entirely new locations with amazing action sequences. It’s a gigantic movie.” says the returning director Francis Lawrence.
In her third and most poignant turn as Katniss, Academy Award® winner Jennifer Lawrence relished the chance to portray the character at this heightened juncture as she emerges from distress to take her first steps into leadership. “I was excited for Katniss to come into her own as a leader, but she’s still a very reluctant hero,” Lawrence observes.
Bringing District 13 to life – and giving audiences glimpses into the turmoil catching like fire across Panem was one of the most intriguing tasks faced by Francis and his design team, headed by production designer Phil Messina, who also designed The Hunger Games and Catching Fire. The two envisioned taking the scale of the third film beyond anything they had done while relying largely on real locations rather than digital ones. In addition to shooting on soundstages in Atlanta the production went further afield to luxury chateaus and apartment complexes in Paris.
The set designs for District 13 were as desolate as the designs for The Capitol were lavish, transporting the actors into this very raw, austere reality. Says Julianne Moore: “It was rendered so incredibly beautifully. It made me think of what you imagine East Germany was like before the wall came down – very militaristic, really grey with people waiting for the moment of change.”
Just as the atmosphere in District 13 is a complete turn-around, so too is the fashion. To encourage communal spirit, everyone in District 13 follows strict rules: no colors, wigs or other stylistic statements, resulting in a look that couldn’t clash more with The Capitol. To create those contrasting looks – along with costumes from the other Districts – newcomers Kurt and Bart came aboard. The duo had just the right pedigree, having gained renown for their work with music and style icons, and making their mark in movies on such films as Dallas Buyer’s Club and Stoker. District 13’s grey uniforms have their own distinctive flatness, reminiscent of 1940s-era coveralls.